Bong Joon-ho’s New Film: A Journey from "Parasite" to "Mickey 17"

Introduction: A Shift from Earth to Space

Bong Joon-ho’s latest film, "Mickey 17," marks a significant departure from his critically acclaimed "Parasite," winner of the Best Picture Oscar. While "Parasite" was a biting black comedy set in the familiar confines of Earth, "Mickey 17" ventures into the realm of science fiction, transporting viewers to a starship 30 years in the future. Starring Robert Pattinson as the titular character, the film explores themes of class struggle and existentialism, albeit in a cosmos setting. Despite the change in genre and setting, Bong’s commitment to portraying the underdog remains steadfast, crafting a narrative that resonates with audiences on a deeply human level.

The Protagonist: A Working-Class Hero in Space

At the heart of "Mickey 17" is its protagonist, Mickey Barnes, a working-class individual thrust into a role as an "expendable" on a starship. This designation subjects Mickey to dangerous tests aimed at colonizing the inhospitable planet of Niflheim. Each time Mickey dies, he is cloned and returned to duty, a grim reflection of the expendability of labor under capitalism. Bong drew parallels between Mickey’s plight and that of Ki-woo from "Parasite," noting that both characters exemplify the replaceability of the working class. Mickey’s journey, filled with personal growth and resilience, offers a poignant commentary on the human spirit’s capacity to endure under oppressive conditions.

Themes of Capitalism and Social Commentary

Bong’s exploration of capitalism reaches new heights in "Mickey 17," where the exploitation of labor is taken to literal extremes. The starship’s wealthy owners view Mickey as a disposable asset, emblematic of how capitalism dehumanizes workers. This theme is reminiscent of "Parasite," where the Kim family’s struggles highlighted theacerbic class divide in contemporary society. By setting "Mickey 17" in space, Bong amplifies these themes, illustrating how systemic inequalities persist even in futuristic settings. The film serves as a stark reminder that technological advancements do not necessarily precipitate social progress.

Visual and Narrative Style: Grounding the Future

Despite its grand sci-fi setting, "Mickey 17" maintains a grounded, almost mundane aesthetic. The starship’s industrial design and the bleakness of Niflheim contrast with the fantastical elements of the narrative. Bong’s approach draws inspiration from films like "Alien" and "The Thing," where ordinary individuals confront extraordinary circumstances. This blend of the ordinary with the extraordinary creates a relatable viewing experience, making the film’s existential themes more accessible. The inclusion of humorous elements, such as Mickey’s awkward cloning sequences, adds a layer of levity, underscoring Bong’s ability to balance drama with wit.

The Antagonists: Mirror of Human Vice

The film’s antagonists, Kenneth Marshall and his wife Ylfa, embody the arrogance and ruthlessness of those in power. Their callous treatment of Mickey reflects a broader critique of human nature, where greed and status obscured by philanthropic rhetoric. Bong’s portrayal of these characters serves as a cautionary tale, highlighting the ethical dilemmas that arise when ambition overshadows empathy. The contrast between their opulent existence and Mickey’s precarious life underscores the film’s central theme of class disparity.

Conclusion: Bong’s Vision and Career Crossroads

"Mickey 17" emerges as a unique blend of sci-fi and social critique, offering a fresh perspective on Bong’s signature themes. The film’s bleak yet intimate narrative, coupled with its moments of whimsy, reflects Bong’s growth as a filmmaker. Following the monumental success of "Parasite," "Mickey 17" represents a bold step into new territory, demonstrating Bong’s versatility and Thomson commitment to storytelling. As Bong navigates the challenges of fame and a changing world, "Mickey 17" stands as a testament to his enduring vision and innovative spirit, ensuring his place as one of cinema’s most compelling voices.